Week Seven: The Novel of Spiritual Education

For this week's class, I decided to read Phillip Pullman's The Golden Compass. I had seen the movie when it came out in theaters, although it was definitely a poor film adaptation in comparison to the source material. I really enjoyed how complex the alternate world was, and the relationship between the individuals and their "daemons". This partner has such an intimate bond with their counterparts, which is a major driving force of the plot, examining the relationship between religion versus science and how far boundaries can be pushed.

The Golden Compass looks at a great deal of themes to help young adults understand and better navigate the "real world" from the eyes of protagonist, Lyra. For example, throughout the book Lyra is literally a "liar", at first using her lying to trick others to her advantage in a negative light. As the story continues, however, we see she uses her sharp wit and lying to her advantage to help others, showing character growth and embedding an important lesson to the reader.

From the different factions--the Oxford Scholars, General Oblation Board, the witches, gypitans, Mrs. Coulter and even the bears-- there is a constant struggle for power and resources. The book prominently looks at the theme of power and how it affects all other parts of one's life. I would say that the spiritual challenges presented in the book were very strongly displayed through Pullman's criticism of religious institutions how much power they hold.  Mrs. Coulter shows the power of the Magisterium's power as one which is corrupt and abusive, and is often paralleled with religious organizations today such as the Roman Catholic Church. The absolute power and insistence of the Magisterium shows the faults and evils of

On the other hand, Pullman shows the benefits of working in moderation, seen in the rulers like the King of Bears and Queen of Witches. This, similar to Lyra's lying, shows the young readers how everything can be used for goodness.

Week Six: An Unexpected Journey

J.R.R. Tolkien's The Hobbit is another book that I've read more than once, but it's one that I find myself reading there and back again. Strangely, I've never seen or read The Lord of The Rings trilogy, but at this point I'm quite knowledgeable about it's folklore and the rich backstory that Tolkien created for this universe. I've always found it interesting to look at the different interpretations of The Hobbit in particular, and how these interpretations differ.

When people think of the first version of The Hobbit to hit the screen, they usually think about the TV movie from 1977 done by Topcraft, the precursor to Studio Ghibli. But there was actually a short experimental film that came out before that in 1966 by director Gene Dietch, which was a very loose interpretation of the Hobbit with a higher focus on the Arcenstone and a fair share of strange decisions, such as changing Smaug's name to Slagg the dragon.



What keeps people coming back to Tolkien's universe is how in-depth all of the characters and their backgrounds really get. Just examining the lore behind the different races in Middle-Earth lends itself to an in-depth analysis and stories for each. For example, there are three types of hobbits which are already a subset of Middle Earth men. There are the Harfoots which most closely resemble the hobbits described in The Hobbit, are the most numerous of the races and found mainly in the Shire as well as Bree. There are also the Stoors who are more apt to be related to water, boats and swimming, while the Fallohides were more adventurous. It could be argued that the Baggins were from the Harfoot hobbits, but had Fallohide in their lineage from the Took side of the family. This sense of adventure fueled the story for Bilbo Baggins, and drove him to his hero's journey.

Week Five: Witches

“Aunt Maria” by Diana Wynne Jones was an interesting read. Told in the first person, through a series of journal entries by Mig, the main character, Jones weaves together a very interesting plot that delves into the supernatural world of ghosts and witches. The characters in this story are very dynamic to say the least; Aunt Maria is perhaps the greatest personality in the entire novel. She’s interesting to me I think, because in my mind we have all met or at least heard of people just like her. That elderly woman who lounges idly and passes judgment on those around her and somehow manipulates you into seeing to her every whim and worry. Aunt Maria is very much that character to the point that it’s almost terrifying and Jones writes in such a way that you find yourself feeling as though you too were securely under Aunt Maria’s thumb, so to speak. Every small victory over her domineering personality was like a triumphant conquest for the reader and the character that managed to attain that victory, that I think the book becomes that much better of a read, because the reader feels as though they are a part of the controversy. I think that’s why I found myself rooting for Chris’ character despite the fact that he was loud, and rude and brash. It’s that behavior I believe that most of us would resort to when pushed completely to the edge of utter annoyance. A noteworthy part of the story I think, is also how closely things would tie themselves to gender roles. The way Jones writes and deals with gender roles in the story seems to be a nod to how silly and ineffective these roles can be. In fact Jones seems to be saying, through this novel, that gender roles more inhibit rather than help alleviate situations and crises. Jones treats the separation of male and female in this novel as though they were separate species that could not and would not communicate with one another with women being the dominant species in the book, causing the male entities to be distrustful of Mig, the protagonist of the story. This novel reminded me of being a kid again because the plot line seemed like something straight out of a nineties movie, it was the right amount of supernatural antics mixed with terrible relatives and quirky, bizarre happenings like people being transformed into animals and a gathering of tea drinking witches and going out on holiday and finding an adventure. I mostly liked reading it because it lent itself to that notion of bizarre hi-jinks that sort themselves out in the end and make you a stronger person because of it.

Week Four: The New Weird

I find myself once again writing about Joss Whedon, this time about the 2012 film "The Cabin in the Woods". And I will say, if there is one thing about "weird" fiction that I can really appreciate, it's interpretations of the genre from Joss Whedon's perspective.

There's something about horror that I really don't like. Which is, quite frankly, the scary horror part of it. I'm a generally fidgety, squeamish person, so movies or books that are filled with suspense or shocking moments that are meant to leave you scared are definitely not my cup of tea. But the way "The Cabin in the Woods" does it makes it breaks down and makes fun of the formulaic nature of your every day scary movie while incorporating it's own set of rules and lore, as well as it's greater purpose within their universe.

I really liked the idea that the character tropes/archetypes seen in most horror films are exaggerated versions of otherwise normal, capable individuals. Having an underground power controlling and playing the game in an effort to stave off the apocalypse is definitely a different take on things. You think you know the story, but you don't know it. I thought the use of humor juxtaposed against the very harsh gory graphics was successful, although a little jarring for my personal taste. Since I'm familiar with Whedon's work with Buffy, it's interesting to see his take on what I would consider an adjacent universe to the Buffyverse.